Dissertation philo conscience soi keo

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Patterns of Literary Circulation. Authorship and /us-history-quiz-with-answers.html Identity in Early Greece and China Patterns of Literary Circulation In this book, Alexander Beecroft thesis on doctorial how the earliest poetry in Greece Homeric epic and lyric and Soi keo the Canon of Songs evolved from being local, oral, and writers custom quotes thesis to being textualized, interpreted, dissertation philo conscience soi keo circulated over increasingly wider areas.

Beecroft reexamines representations of authorship as found dissertation philo conscience soi keo poetic biographies such dissertation philo conscience soi keo the Lives of Homer and the Zuozhuan, and in the works of other philosophical and historical authors such as Plato, Aristotle, Herodotus, Confucius, and Sima Qian.

Beecroft argues that these texts effectively negotiated the tensions between local and pan-cultural audiences.

The figure of the author thus served as a catalyst to a sense of shared cultural identity in both the Greek and Chinese worlds. It also facilitated the emergence of both check this out as the bases for cosmopolitan world orders. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take dissertation philo conscience soi keo without the written click here of Cambridge University Press.

First published Printed in the Dissertation philo conscience soi keo States of America A catalog record for this publication is available from the British Library.

Includes bibliographical references and index. Greek literature — History and criticism.

Chinese literature — History and criticism. Contents page vii Acknowledgments Introduction 1 1. Explicit Poetics in Greece and China: Points of Divergence and Convergence 2. The Lives of Homer, Textuality, and Panhellenism 3.

The Failure of Speech: Rhetoric and Politics in the Iliad | Joel Christensen -

Poetry, Genre, and the Polis 4. Authorship between Epic and Lyric: Stesichorus, the Palinode, and Performance 5. Cosmopolitan and Panhuaxia Readings of the Airs of the States 6.

dissertation philo conscience soi keo The Poetics of Diplomacy in the Zuozhuan 7. The Politics of Dancing: Scenes of Authorship and Master-Narratives Bibliography Index of Passages Cited 26 61 General Index v Acknowledgments This book has been some time in the making, and would not have been possible at dissertation philo conscience soi keo without the help and encouragement of many. Most of all, of course, I had the honor and the luxury of writing the dissertation from soi keo this book evolved under the direction of two of the wisest, most insightful, and most genial of advisers, Gregory Nagy and Stephen Owen.

My debt to these two /essay-about-cultural-relativism.html is profound, and displayed on each of the pages which follow.

In my time at Yale, I have also been extremely fortunate in my colleagues, mentors, and friends in the Comparative Literature Dissertation philo conscience soi keo. David Quint, Haun Saussy, and Katie Trumpener have taught me to be a sharper reader dissertation philo conscience soi keo a more thoughtful soi keo, and their readings of various drafts of this book, combined with their encouragement, advice, and dissertation philo conscience soi keo were indispensible to the directions I have taken.

Authorship and Cultural Identity in Early Greece and China: Patterns of Literary Circulation

Other colleagues — Richard Maxwell, Pericles Lewis, Carol Jacobs, Katerina Clark, Here Andrew, Ala Alryyes, Moira Fradinger, vii viii Acknowledgments Vilashini Coopan, and Ann Gaylin among them — have dissertation philo conscience soi keo played a significant role, and conversations with them over the years have likewise helped to shape my thinking on a number of subjects.

Other scholars, at Yale and beyond, have helped in various ways by reading portions of the manuscript, or through their comments on presentations of some of the underlying themes of the book, or through especially enlightening conversations at varying stages in the development of the project soi keo Tamara Soi keo, Joy Connolly, David Damrosch, Beatrice Gruendler, Eric Hayot, Andrew Hui, Martin Kern, David Schaberg, Shu-mei Shih, Nancy Worman, and Zhou Yiqun.

Laura Slatkin and Froma Zeitlin deserve special mention for critically timed expressions of dissertation philo conscience soi keo and encouragement. I am also grateful to Michael Lonegro for his advice with soi keo earlier phase of the project, to my readers at Cambridge, and to Beatrice Rehl, my editor, and William Stoddard, dissertation philo conscience soi keo copy editor.

Friends from all stages of my life have kept me sane during the writing of this book, and have in many cases also provided important input into this book. Stuart and Tiffany Chambers, Alex and Catherine Davies, Jason Rosychuk, Margaret Small, Marica Cassis, and Matina Karvellas have been vital supports throughout my adult life and before dissertation philo conscience soi keo, in more ways than they know, have made it possible for me to write.

Soi keo Sterk, also an old friend, has been a constant intellectual and emotional companion, and has borne dissertation philo conscience to dissertation philo conscience soi keo evolving intellectual interests over a quarter of a century.

Friendships begun at Harvard and developed since with Corinne Pache, Acknowledgments ix Justin Isenhart, Wiebke Denecke, and Daniel Fried dissertation soi keo more info soi keo been intellectually stimulating and personally enriching.

Anne Dunlop, Milette Gaifman, Kate Holland, Ivan Fernandez, Ian Quinn, Seth Brodsky, Gundula Kreuzer, and Graeme Reed have all helped soi keo my years at Yale happy, and also deserve credit for listening to and helping me with the gradual emergence of this book soi keo the dissertation with which it began.

Barry McCrea deserves special mention for a friendship that began as collegial and dissertation philo conscience a sustaining and rewarding part of my life in New Haven.

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